My own opinion on why they don't sell FLACs is because noone can tell the difference between MP3 320s and we're still living in an age where data-plans and storage are an issue. I'm an audiophile by trade but I see through a lot of the BS when it comes to hi-fidelity-audio. Neil Young's crazy toblerone system for one is one such system. What would be better would be to introduce an MP3 system with a valve/tube pre-amp and AudioTechnica headphones included. THAT'S what you need to have a good audio experience. If anyone thinks listening to FLACs on an iPhone through Beats by Dre is a real audio experience, they've been thoroughly fleeced.
well again having taken thousands of shows live ones , esp live recordings, if those are compressed to mp3 anything, doesnt matter how high the bitrate is, its almost impossible to edit in an audio editor, as again mp3s even the most high bitrates chop the highs and lows off and smush it down a bit,
can one tell the diff in the audio, nope, not without a super hearing power, or some special 30000$ headset or soundsystem, but even then,
the only reason for lossless for me is editing,
and then.. mainly LIVE audio, as you can reduce crowd noise, raise the lead singers voice, or guitars if they are low,
on mp3s once compressed you cant do this very well if at all
but looking at the files from the OST in my nice audio progies, they look really nice, i mean there are nice jagged peaks and lows, means that not much .. if anything was cut during the reduction to mp3.
"oh yes its a' very niceaaa'!"
"hehhe I told him we already got one!"
the above 2 quotes are holy grail quotes
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